

Created by Matt Zoller Seitz
Directed by Judith St. Germain
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
Photo by chun kit wong on Unsplash
The creative euphoria of the Harlem Renaissance has given way to the harsher realities of the Great Depression. Young Reverend Adam Clayton Powell, Jr., is feeding the hungry and preaching an activist gospel. Black Nationalist visionary Marcus Garvey has been discredited and deported. Birth control pioneer Margaret Sanger is opening a new family planning clinic on 126th Street, and the doctors at Harlem Hospital are scrambling to care for a population whose most deadly disease is poverty.
Pearl Clage's play is set in the Harlem apartment of Guy, a popular costume designer, and his friend, Angel, a recently fired Cotton Club back-up singer, the cast also includes Sam, a hard-working, jazz-loving doctor at Harlem Hospital; Delia, an equally dedicated member of the staff at the Sanger clinic; and Leland, a recent transplant from Tuskegee, who sees in Angel a memory of lost love. Invoking the image of African American expatriate extraordinaire Josephine Baker as both muse and myth, Cleage’s characters struggle, as Guy says, “to look beyond 125th Street” for the fulfillment of their dreams.
ABOUT THE AUTHOR
Pearl Cleage is an Atlanta-based playwright currently serving as Distinguished Artist in Residence at The Alliance Theatre. The recipient of a Lifetime Achievement Award from the Dramatists Guild, she is also Atlanta’s first Poet Laureate. Her plays include Flyin’ West, Blues for an Alabama Sky, The Nacirema Society..., What I Learned in Paris and Angry, Raucous and Shamelessly Gorgeous. Her work is anthologized in Flyin’ West and Other Plays, published by Theatre Communications Group. In addition to the Alliance, Cleage has been widely produced, including performances at the Goodman Theatre, London’s National Theatre, the McCarter Theatre Center, Penumbra Theatre, Keen Company, Ford’s Theatre, the Huntington Theatre Company, the Guthrie Theater, Kenny Leon’s True Colors Theatre, Actor’s Express, the Black Repertory Company, the Old Globe, the Negro Ensemble Company, Arena Stage, Alabama Shakespeare Festival, the Ensemble Theatre, New Federal Theatre, and Actors Theatre of Louisville. Her work is widely taught and produced at colleges and universities across the country. She is also a performance artist working in collaboration with her husband, writer Zaron W. Burnett, Jr. Their groundbreaking performance work is the subject of a new documentary film Live at Club Zebra! directed by Matthew and David Adeboye. Cleage and Burnett also collaborated on In My Granny’s Garden, a book for young children, which was adapted for the stage by Rosemary Newcott and has been performed in Atlanta, Chicago and St. Louis. The author of eight novels, including What Looks Like Crazy on an Ordinary Day, a New York Timesbestseller, Cleage also co-authored with Burnett “We Speak Your Names,” a praise poem commissioned by Oprah Winfrey. She is currently preparing for the world premiere of her new play Flying Fish & Folding Money as a joint production between the Alliance Theatre in Atlanta and the Goodman Theatre in Chicago in 2028.—Concord Theatricals
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and Directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The titles featured here are personally selected by a group of curators and advisors, including Seitz and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
"I don’t dream at night, I dream at day, I dream all day; I’m dreaming for a living,"
~Steven Spielberg
And MZS when I ask "what are you doing?"
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; Former Features Writer for New York Magazine and Vulture.com, Contributing Writer for D Magazine and Texas Highways as well as finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets such as Texas Highways and AARP. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestsellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, The Wes Anderson Collection: The French Dispatch and the new The Wes Anderson Collection: Asteroid City. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. In October 2024 he brought the legendary filmmaker Oliver Stone back to Dallas for a historic return to the city and the Texas Theatre, considered the biggest film event of Dallas in 2024 by Dallas Observer!
Judith St. Germain was in the Upscale and Luxury Hospitality Industry for most of her life. In 2004 she had a beautiful baby boy with Special Needs and put the pause on her career until 2017 to dedicate herself to him and then others, assisting and volunteering as a legal advocate ensuring the best medical care, evaluations and educations for Special Needs children and their families.
Matt and Judith were family friends for over 20 years. She was there with her family in support when his wife Jen passed away suddenly in 2006. Then just 6 weeks later while Matt was in Dallas; he and his Father, Dave, and Step-Mother, Genie, were there as support, when Judith was alone and her son received the first of many diagnoses that changed the trajectory of their lives. So it made sense in the turbulent year of 2020, Matt asked Judith to take over running the online store that has become MZS.press. The rest as they say is, "Their"-story.