

Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
Photo by Valentina Ivanova on Unsplash
The soundtrack to Terrence Malick's second feature, 1978's Days of Heaven, is typically credited to Ennio Morricone, and it's certainly beautiful enough to be the primary music associated with the movie. But like other Malick soundtracks (as well as ones by Kubrick, Godard, Scorsese and other postwar auteurs), this one treats the original score not as a continuous, complete statement, but a binding element holding together an assortment of work by various artists. Fiddle player and singer Doug Kershaw can be heard performing the Cajun tune "Swamp Dance" during a harvest celebration. A so acoustic guitar piece e called "Enderlin," by Leo Kottke, scores an early montage in which the kinda-protagonist, a hotheaded immigrant factory worker (Richard Gere), kills an abusive supervisor in Chicago and flees to Texas with his kid sister (Linda Manz) and the girlfriend (Brooke Adams) who pretends to be his other sister.
"In many ways, Ennio Morricone seems the perfect composer for Malick – used to working for directors who want music which can be placed all around the film rather than directly scoring to picture, but also able to write the kind of organic music of naturalistic beauty that is so ideal for the great director’s films," wrote James Southall on Movie Wave, a site devoted exclusively to music used in films. "The Italian composer did actually score to picture, but did so fully aware that the music was going to be moved around all over the place in the film. Indeed, Malick famously used 'Aquarium' from Saint-Saëns’s 'Carnival of the Animals' over the film’s opening." "Days of Heaven opens on a photo montage of life and work in early twentieth century America, set to a delicate, haunting piece for piano that cascades up and down the keyboard with sounds at once beautiful, fragile, nostalgic and ominous. Ennio Morricone's exquisite score sounds timeless, like an archival discovery of lost classical work—it's since been borrowed to evoke the early days of the twentieth century in other productions—but it's an original, much like the film it accompanies."—Sean Axmaker, Turner Classic Movies
TRACK LISTING
1. Aquarium [Le Carnaval des Animaux] (Camille Saint-Saëns) 2:05
2. We Used to Do Things (Linda Manz) 0:49
3. Enderlin (Written & Performed by Leo Kottke) 3:14
4. Harvest 2:59
5. Threshing 2:05
6. Happiness 2:13
7. The Honeymoon 1:26
8. Swamp Dance (Performed by Doug Kershaw. Words & Music by Doug Kershaw.) 3:32
9. The Return 2:31
10. The Chase 2:00
11. The Fire 7:48
12. Ashes & Dust 2:17
13. Days of Heaven 3:26
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and Directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The titles featured here are personally selected by a group of curators and advisors, including Seitz and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
In Honor of the greatest auteur of our time, Judith is using one of her favorite quotes by him.
"Every day, once a day, give yourself a present"
David Lynch (January 20, 1946-January 15, 2025)
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; Features Writer for New York Magazine and Vulture.com, Contributing Writer for D Magazine and Texas Highways as well as finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets such as Texas Highways and AARP. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestsellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, The Wes Anderson Collection: The French Dispatch and the new The Wes Anderson Collection: Asteroid City. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. In October 2024 he brought the legendary filmmaker Oliver Stone back to Dallas for a historic return to the city and the Texas Theatre, considered the biggest film event of Dallas in 2024 by Dallas Observer!
Judith Carter was in the Upscale and Luxury Hospitality Industry for most of her life. In 2004 she had a beautiful baby boy with Special Needs and put the pause on her career until 2017 to dedicate herself to him and then others, assisting and volunteering as a legal advocate ensuring the best medical care, evaluations and educations for Special Needs children and their families.
Matt and Judith were family friends for over 20 years. She was there with her family in support when his wife Jen passed away suddenly in 2006. Then just 6 weeks later while Matt was in Dallas; he and his Father, Dave, and Step-Mother, Genie, were there as support, when Judith was alone and her son received the first of many diagnoses that changed the trajectory of their lives. So it made sense in the turbulent year of 2020, Matt asked Judith to take over running the online store that has become MZS.press. The rest as they say is, "Their"-story.