Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
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DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickok and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepreneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.
“If you want to call Deadwood a Western, you might as well call The House of Mirth chick lit. Dexter looked at the dark, twisted, ridiculous doings of Bill Hickok and company, said to himself, ‘I recognize that!’ and gave us a world-class entertainment.” —Jonathan Franzen, author of The Corrections
“Unpredictable, hyperbolic and, page after page, uproarious; a joshing book written in high spirits and a raw appreciation of the past.” --The New York Times Book Review
“Splendid. . . . Rumor put straight. . . . A carefully researched knitting of events into their most dazzling fabric.” --The Philadelphia Inquirer
“Deadwood may well be the best western ever written.” —The Washington Post Book World
"What deepens and darkens [Dexter's] writing, so that art is the precise word to describe it, is a powerful understanding that character rules, that we live with our weaknesses and die of our strengths." --Time"
Dexter is a master of colloquial poetry, of moods revealed through gestures and settings." --Playboy
"One of the greatest American writers... a storyteller who cuts straight to the nerve." --Scott L. Turow
"Dexter's strongest suit is his exquisite understanding of the finely meshed engines of greed, appetite, and interest." --The New York Times Book Review
"Great, eccentric characters....Dexter's writing is a living thing." --USA Today
Pete Dexter is the author of the National Book Award winner Paris Trout and of God's Pocket, Deadwood, Brotherly Love, The Paperboyand Train. He was born in Michigan and raised in Georgia, Illinois, and eastern South Dakota. He lives on Puget Sound, Washington.
All copies are USED and in good condition. May have minor shelf, cover wear and/or library markings.
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The store's inventory of nearly 1000 volumes is currently in the process of being reconstructed after its relocation from Cincinnati, Ohio, to Dallas, Texas. The titles featured here are personally selected by a group of curators and advisors, including Seitz, Carter, and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
“Please. Have mercy. I’ve been wearing the same underwear since Tuesday.”
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; a staff writer for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, and the forthcoming The Wes Anderson Collection: The French Dispatch. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. He is currently working on a memoir about his marriages and a feature-length documentary about his father, jazz musician and composer Dave Zoller.
His hobbies include exotic dancing, moonwalking, and affixing masking tape labels to every food item in the refrigerator, including eggs. He has the attention span of a gnat.