Congratulations to Isaac Butler, the 2022 Winner for Best Non-Fiction by National Book Critics Circle!
To celebrate we're offering The Method, Signed & unisgned for LESS than Amazon! While supplies last...
Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
As a young and inexperienced writer, Kenneth George Godwin met David Lynch in late 1981 to conduct interviews about the making of Eraserhead. The resulting article gained Lynch’s favor, and in the Spring of 1983, Godwin found himself hired by Universal Studios to help document the production of Dune in Mexico. For six months, Godwin - working with cameraman Anatol Pacanowski - observed the chaos of one of the biggest, most expensive motion pictures made up to that time. On set and behind the scenes, Godwin witnessed David Lynch wrestling with the unwieldy beast, trying to impose his particular, idiosyncratic vision on what was for the studio and producer Raffaella De Laurentiis a massive commercial enterprise. Little surprise then that the movie which resulted is both magnificent and almost fatally crippled.
In this companion volume to his previous book on the making of Eraserhead, Godwin reprints an edited version of the diary he kept that summer in Mexico, along with photographs and documents, and transcripts of some of the interviews conducted by the documentary team for a video account of the production of Dune which was destined never to be completed.
All copies are new.
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The store's inventory of nearly 1000 volumes is currently in the process of being reconstructed after its relocation from Cincinnati, Ohio, to Dallas, Texas. The titles featured here are personally selected by a group of curators and advisors, including Seitz, Carter, and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
"That's why her hair is so big. It's full of secrets."
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; a staff writer for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, and the forthcoming The Wes Anderson Collection: The French Dispatch. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. He is currently working on a memoir about his marriages and a feature-length documentary about his father, jazz musician and composer Dave Zoller.
His hobbies include exotic dancing, moonwalking, and affixing masking tape labels to every food item in the refrigerator, including eggs. He has the attention span of a gnat.