

Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
Photo by Valentina Ivanova on Unsplash
Before Randy Newman became a sought-after film score composer and songwriter for Pixar, among other powerful Hollywood patrons, he was a singer-songwriter whose music was most assuredly not aimed at children. Starting with Twelve Songs and continuing through the unexpected late-'70s blockbuster Short People and the more recent Harps and Angels and Dark Matter (with a side trip into musical theater with Faust) Newman specialized in work that tested the listener's ability to comprehend unreliable narratives and tolerate soliloquies by fictional individuals who represented real, often problematic individuals and spoke in their voices. Newman's characters often had agendas that were broken, deluded, sinister, corrupt, or just super-problematic. The work articulated attitudes that were socially unacceptable even in 1974 and still are, in a manner that initially seemed to endorse them but turned out to be examples of an artist letting a character blab on and on until they incriminate themselves.
Released in 1974, Good Old Boys is arguably the peak achievement of Newman's early years. Focusing on the 20th American south, the album dives headfirst into topics that would never be allowed anywhere near commercial radio. Newman's characters include despotic Louisiana Gov. Huey Long ("Every Man a King," "Kingfish"); a husband who insults his wife and her extended family but nevertheless adores her, mainly because she looks beyond his own shortcomings and he's terrified of death ("A Wedding in Cherokee County"); an inarticulate but clearly bitter and heartbroken "cracker" describing a massive flood, and then-president Calvin Coolidge grubbing for votes in the aftermath ("Louisiana 1929"); and a racist, antisemitic Southern reactionary in "Rednecks" who initially seems to be embracing the stereotype of the southern white bigot (and uses the N-word a whopping seven times) but turns out to be an astute critic of Northern whites' superiority complex. It's a richly imagined mural of Americana that presents the nation's delusions matter-of-factly, confident in the listener's ability to see through them.
All copies are used and in good condition, though you can immediate tell that they were played a lot before the owner parted with them. Album jacket may be faded or exhibit signs of shelf wear.
TRACK LIST
Side ONE:
1. Rednecks
2. Birmingham
3. Marie
4. Mr. President
5. Guilty.
Side TWO:
1. Lousiana
2. Every Man A King
3. Kingfish
4. Naked Man
5. Wedding in Cherokee County
6. Back On My Feet Again
7. Rollin
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and Directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The titles featured here are personally selected by a group of curators and advisors, including Seitz and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
In Honor of the greatest auteur of our time, Judith is using one of her favorite quotes by him.
"Every day, once a day, give yourself a present"
David Lynch (January 20, 1946-January 15, 2025)
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; Features Writer for New York Magazine and Vulture.com, Contributing Writer for D Magazine and Texas Highways as well as finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets such as Texas Highways and AARP. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestsellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, The Wes Anderson Collection: The French Dispatch and the new The Wes Anderson Collection: Asteroid City. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. In October 2024 he brought the legendary filmmaker Oliver Stone back to Dallas for a historic return to the city and the Texas Theatre, considered the biggest film event of Dallas in 2024 by Dallas Observer!
Judith Carter was in the Upscale and Luxury Hospitality Industry for most of her life. In 2004 she had a beautiful baby boy with Special Needs and put the pause on her career until 2017 to dedicate herself to him and then others, assisting and volunteering as a legal advocate ensuring the best medical care, evaluations and educations for Special Needs children and their families.
Matt and Judith were family friends for over 20 years. She was there with her family in support when his wife Jen passed away suddenly in 2006. Then just 6 weeks later while Matt was in Dallas; he and his Father, Dave, and Step-Mother, Genie, were there as support, when Judith was alone and her son received the first of many diagnoses that changed the trajectory of their lives. So it made sense in the turbulent year of 2020, Matt asked Judith to take over running the online store that has become MZS.press. The rest as they say is, "Their"-story.