

Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
Photo by Valentina Ivanova on Unsplash
Single copy of a hard-to-find hardcover edition of this title. Dust jacket, case, and interior are all in excellent shape.
This collection of Alfred Hitchcock’s reflections on his life and work and the art of cinema contains material long out of print, not easily accessible, and in some cases forgotten or unknown. Edited by Sidney Gottlieb, this new collection of interviews, articles with the great director's byline, and “as-told-to” pieces provides an enlivening perspective on a career that spanned seven decades and transformed the history of cinema.
In writings and interviews imbued with the same exuberance and originality that he brought to his films, Hitchcock ranges from accounts of his own life and experiences to provocative comments on filmmaking techniques and cinema in general. Wry, thoughtful, witty, and humorous―as well as brilliantly informative and insightful―this volume contains much valuable material that adds to our understanding and appreciation of a titan who decades after his death remains one of the most renowned and influential of all filmmakers.
François Truffaut once said that Hitchcock “had given more thought to the potential of his art than any of his colleagues.” This profound contemplation of his art is superbly captured in the pieces from all periods of Hitchcock’s career gathered in this volume, which reveal fascinating details about how he envisioned and attempted to create a “pure cinema” that was entertaining, commercially successful, and artistically ambitious and innovative in an environment that did not always support this lofty goal.
REVIEWS
"Who knew there was so much more intriguing material waiting to be gathered for Volume Two of Hitchcock on Hitchcock? Gottlieb has done a splendid job of searching down and intelligently introducing rare, often surprising items, including Hitchcock's early fiction, missing elements from his published conversations with Truffaut, and several of his little-known, nuanced essays on the craft of film making. Volume Two is a pleasure to read and a gift to anyone interested in the great director's career." James Naremore, author of An Invention without a Future: Essays on Cinema
"For nearly twenty years, film buffs have been unable to imagine a world without Hitchcock on Hitchcock. Now Sidney Gottlieb has unearthed another volume s worth of interviews, essays, and occasional pieces by the Master of Suspense, framing, contextualizing, and serving them up with unobtrusive deftness. I suspect that in less than twenty-four hours, readers exploring this gold mine of wisdom, opinion, memoir, anecdotes, and epigrams will be unable to imagine a world without Hitchcock on Hitchcock 2." Thomas Leitch, coeditor of A Companion to Alfred Hitchcock
ABOUT THE AUTHOR
A master of cinema form and arguably the world's greatest director of suspense films, Alfred Hitchcock was born in England and started out making films there, then gradually began working in the United States and spent the second half of his career working there exclusively. He started directing movies in the silent era and continued through the mid-1970s, producing too many classics and near-classic than can be listed here, although a short list would likely include Foreign Correspondent, Lifeboat, Rebecca, Suspicion, Shadow of a Doubt, Notorious, Rope, Strangers on a Train, Vertigo, North by Northwest, Psycho and The Birds.
ABOUT THE EDITOR
Sidney Gottlieb is Professor of Communication and Media Arts at Sacred Heart University, in Fairfield, Connecticut. His undergraduate and graduate courses focus on critical approaches to media studies, film history, and film analysis. He is the longtime editor of the Hitchcock Annual(Columbia University Press) and has edited collections of Hitchcock's writings and interviews.
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and Directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The titles featured here are personally selected by a group of curators and advisors, including Seitz and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
In Honor of the greatest auteur of our time, Judith is using one of her favorite quotes by him.
"Every day, once a day, give yourself a present"
David Lynch (January 20, 1946-January 15, 2025)
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; Features Writer for New York Magazine and Vulture.com, Contributing Writer for D Magazine and Texas Highways as well as finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets such as Texas Highways and AARP. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestsellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, The Wes Anderson Collection: The French Dispatch and the new The Wes Anderson Collection: Asteroid City. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. In October 2024 he brought the legendary filmmaker Oliver Stone back to Dallas for a historic return to the city and the Texas Theatre, considered the biggest film event of Dallas in 2024 by Dallas Observer!
Judith Carter was in the Upscale and Luxury Hospitality Industry for most of her life. In 2004 she had a beautiful baby boy with Special Needs and put the pause on her career until 2017 to dedicate herself to him and then others, assisting and volunteering as a legal advocate ensuring the best medical care, evaluations and educations for Special Needs children and their families.
Matt and Judith were family friends for over 20 years. She was there with her family in support when his wife Jen passed away suddenly in 2006. Then just 6 weeks later while Matt was in Dallas; he and his Father, Dave, and Step-Mother, Genie, were there as support, when Judith was alone and her son received the first of many diagnoses that changed the trajectory of their lives. So it made sense in the turbulent year of 2020, Matt asked Judith to take over running the online store that has become MZS.press. The rest as they say is, "Their"-story.