Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
Hollywood Chinese: The Chinese in American Feature Films presents an intimate look at the Chinese American role and influence in Hollywood, from some of the earliest films set in America’s Chinatowns to the contemporary artists remaking the face of Hollywood. Filled with more than 500 stunning, vintage photographs, movie posters, lobby cards and assorted ephemera based on the author’s extraordinary personal collection, this lavish coffee-table book’s richly illustrated pages show the myths, misconceptions, and memorable moments of the Chinese in film.
Author and filmmaker Arthur Dong takes the reader on a guided tour of Chinese American film history, from the hyper-stereotyped portrayals of Chinatown Tong Wars to the exoticized romances starring glamorous actresses like Anna May Wong and Nancy Kwan. He highlights the issues and challenges of Hollywood’s history, including the controversial casting of white actors in Asian roles, known as “yellowface.” Richly detailed and comprehensive in scope, Hollywood Chinese shows how the industry has evolved, beginning with War of the Tongs (1917), billed to white audiences as “planned and executed by the Chinese” and ending with Crazy Rich Asians (2018), the first film with an all-Asian cast in a quarter century.
Throughout the book, Dong unearths hidden gems from film history, documenting the Chinese and Chinese American actors, screenwriters, directors and producers who worked in Hong Kong, Taipei, San Francisco and elsewhere, producing spectacular films in both Chinese and English for global audiences. All but lost to history, those films have been carefully uncovered and presented here. Dong’s narrative is enhanced by extensive interviews with Hollywood actors, directors, and producers, including Ang Lee, Nancy Kwan, Justin Lin, James Hong, Joan Chen, Wayne Wang, and David Henry Hwang, and writer Amy Tan.
A San Francisco Chinatown native, Arthur Dong is an Oscar-nominee, a Peabody and Sundance award-winning filmmaker, author, and curator whose work centers on Asian American, and LGBTQ stories. Dong’s films about Asian American history and culture include The Killing Fields of Dr. Haing S. Ngor (2015), Hollywood Chinese (2007), Forbidden City, U.S.A. (1989), and Sewing Woman (1987). Among his films on LGBTQ issues are Coming Out Under Fire (1994) and Licensed to Kill (1997). Dong has curated exhibitions showcasing his extensive archive of cultural ephemera, including Chop Suey on Wax: The Flower Drum Song Album, Forbidden City, USA, and his most recent, Hollywood Chinese, on display at the iconic Formosa Café in West Hollywood. Dong’s first book Forbidden City, USA: Chinatown Nightclubs 1936-1970 received an American Book Award in 2015.
"Impressive. Striking. Engaging. Author Arthur Dong, an award-winning filmmaker who also directed the excellent 2007 documentary that shares the same name as the book, reflects in the preface: 'Maybe because I felt grounded in the hundreds of Chinese films I watched as a kid, it struck me that the yellow-faced actors and dehumanizing caricatures of Asians in many vintage Hollywood films were more of an enticement for further study rather than an offense to my identity.' This honest observation brings a unique and deeply personal perspective to the subject matter of the book as a whole." -Amanda Cheung, Asian Pacific American Librarians Association
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and Directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The titles featured here are personally selected by a group of curators and advisors, including Seitz and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
Judith's favorite Quote of the month is:
“A room without books is like a body without a soul.”
-Marcus Tullius Cicero
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; Features Writer for New York Magazine and Vulture.com, Contributing Writer for D Magazine and Texas Highways as well as finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets such as Texas Highways and AARP. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestsellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, The Wes Anderson Collection: The French Dispatch and the new The Wes Anderson Collection: Asteroid City. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. In October 2024 he brought the legendary filmmaker Oliver Stone back to Dallas for a historic return to the city and the Texas Theatre, considered the biggest film event of Dallas in 2024 by Dallas Observer!
Judith Carter was in the Upscale and Luxury Hospitality Industry for most of her life. In 2004 she had a beautiful baby boy with Special Needs and put the pause on her career until 2017 to dedicate herself to him and then others, assisting and volunteering as a legal advocate ensuring the best medical care, evaluations and educations for Special Needs children and their families.
Matt and Judith were family friends for over 20 years. She was there with her family in support when his wife Jen passed away suddenly in 2006. Then just 6 weeks later while Matt was in Dallas; he and his Father, Dave, and Step-Mother, Genie, were there as support, when Judith was alone and her son received the first of many diagnoses that changed the trajectory of their lives. So it made sense in the turbulent year of 2020, Matt asked Judith to take over running the online store that has become MZS.press. The rest as they say is, "Their"-story.