Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
“A tour de force. . . . Crouch has given us a bone-deep understanding of Parker’s music and the world that produced it. In his pages, Bird still lives.” — Washington Post
A stunning portrait of Charlie Parker, one of the most talented and influential musicians of the twentieth century, from Stanley Crouch, one of the foremost authorities on jazz and culture in America.
Throughout his life, Charlie Parker personified the tortured American artist: a revolutionary performer who used his alto saxophone to create a new music known as bebop even as he wrestled with a drug addiction that would lead to his death at the age of thirty-four.
Drawing on interviews with peers, collaborators, and family members, Stanley Crouch recreates Parker’s Depression-era childhood; his early days navigating the Kansas City nightlife, inspired by lions like Lester Young and Count Basie; and on to New York, where he began to transcend the music he had mastered. Crouch reveals an ambitious young man torn between music and drugs, between his domineering mother and his impressionable young wife, whose teenage romance with Charlie lies at the bittersweet heart of this story.
With the wisdom of a jazz scholar, the cultural insights of an acclaimed social critic, and the narrative skill of a literary novelist, Stanley Crouch illuminates this American master as never before.
“A tour de force that is the print equivalent of a long, bravura jazz performance. . . . Crouch has given us a bone-deep understanding of Parker’s music and the world that produced it. In his pages, Bird still lives.” — Washington Post
“It is from Mr. Crouch, a novelist as well as a critic and essayist, that we come to see Charlie Parker in the context of his time and place in America. . . . One comes away from Mr. Crouch’s book wanting more.” — Wall Street Journal
“Kansas City Lightning succeeds as few biographies of jazz musicians have. . . This book is a magnificent achievement; I could hardly put it down.” — Henry Louis Gates, Jr.
“This is a memorable book. . . Stanley Crouch takes us deep into places most of us can only imagine―including into the heart of the mysterious split-second alchemy that takes place nightly on the bandstand.” — Geoffrey C. Ward
“A book about a jazz hero written in a heroic style. . . a bebop Beowulf.” — New York Times
“[Crouch] crafts lush scenes and crackling music writing. . . Jazz fans will want to read this book. . . This is a thorough and entertaining account of one of the greatest rises―and the prelude to one of the greatest falls―in jazz history.” — NPR.org
“It takes a lifetime of passionate engagement to write with the intensity and depth of Stanley Crouch. . . The results are insightful, profound, and wholly original. . . This a must read, not just for jazz fans, but for anyone interested in American possibilities.” — Wynton Marsalis
“A jazz biography that ranks with the very best.” — Booklist, starred review
“Crouch. . . is uniquely qualified to guide readers on this tour. . . A story rich in musical history and poignant with dramatic irony.” — Kirkus Reviews
“[A] riveting, long-awaited book . . . Here is Bird making his watershed discoveries before he fired his own lightning bolts.” — Gary Giddins
“A portrait of the young Charlie Parker with a degree of vivid detail never before approached. . . [Kansas City Lightning is] a deft, virtuosic panorama of early jazz. . . This is a mind-opening, and mind-filling, book.” — Tom Piazza
“Stanley Crouch’s work is perhaps the most important writing on jazz today. . . This outstanding book is food for the soul for any serious listener of jazz music.” — Madhav Chari, jazz pianist
With the straight-ahead timing and the ethereal blowing of a great jazzman, Crouch delivers a scorching set. . . Crouch brings to life the swinging backdrop against which Parker honed his craft.” — Publishers Weekly
“Kansas City Lightning paints a profound portrait of a great American musician, but also features Crouch operating at the top of his game.” — Eugene Holley, Publishers Weekly
“Stanley Crouch has a store of fresh information for you in his new book about Charlie Parker (1920-55), the genius of American music universally known as Bird, and invaluable insights to offer into the meaning of Parker’s achievement. It is imperative that you come into possession of this material…” — Daily Beast
“Award-winning Crouch takes a deep look at [Parker’s] rich life.” — Denver Post
“Social and cultural critic, columnist and MacArthur Genius Crouch offers a mix of impressionist strokes, historical facts and context in his masterful Charlie Parker bio.” — New York Post
“Meticulous and steeped in local lore. . . Feel[s] as urgent as a blast from Parker’s saxophone.” — Kansas City Star
“The soul of Stanley Crouch joins the soul of the legendary jazz legend. . . Crouch recreates ‘the Bird’ with his writer’s talents at their peak and the result is magical.” — Huffington Post
“Fans of Mr. Crouch have been waiting so long for him to complete this volume, which is the first installment in a two-part series, that it has taken on a kind of mythic status. It lives up to its aura.” — New York Observer
“He tells Parker’s story in vivid detail, with a historian’s eye and Crouch’s unwavering love of the art. All of these elements coalesce into one engrossing account of an American legend that is a must-read for music fans.” — Flavorwire
“[Crouch’s] great, indeed historic, glory is original research, its interviews with Parker friends from boyhood on about the first half of his life in Kansas City.” — Buffalo News
“’Bird Lives!’ his followers proclaimed, as if a man as brilliant as Parker could not possibly be mortal. But Charlie Parker was a man, and Stanley Crouch’s enchanting biography returns him to the soil that nourished him before he took flight.” — New York Review of Books
“Crouch. . . meticulously examines the musical mechanisms of Parker’s genius and, in prose that veers toward lyrical rapture, conjures the inner life of the improvising artist. . . The book also unfolds, with remarkable personal nuances, a social history of black America in the Jim Crow era.” — The New Yorker
“Stanley Crouch’s Kansas City Lightning shoots out of the gate with the gale force of a Charlie Parker solo. . . [An] immersive chronicle, more than 30 years in the making.” — Dallas Morning News
“Stanley Crouch’s soulful, poetic and often graphic Kansas City Lightning. . . reads like the jazz version of Batman Begins, with Crouch detailing the raw materials of culture, class, and race that forged Parker’s musical identity.” — Los Angeles Magazine
“Will send you searching for recordings. And really, there’s no more important litmus test for a music biography. Reading these books makes you want to listen.” — Boston Globe
“A riveting read. . . Crouch, through years of research, has done an exemplary job.” — Jazz Times
“Strikes with enlivening insight, and will leave jazz fans hoping Crouch is as good as his word when he says Volume 2 will be out in the next two years.” — Philadelphia Inquirer
“Crouch writes in a heroic style. . . This 30-years-in-the-making biography of the saxophonist evokes Parker’s life and times with visceral power, as well as real finesse.” — San Jose Mercury News
“From bravura sentence to serpentine paragraph, the book is a virtuoso performance of musical-literary mimesis. . . . Kansas City Lightning provides more ideas and better writing in its 365 pages than any other book about Parker.” — David Hajdu, New York Times Book Review
“Crouch’s prose is, as usual, perfect-it takes a genius to write about one, perhaps―and Kansas City Lightning is a thoughtful, generous look at one of the country’s most important artists.” — NPR, Named One of the Best Books of the Year
“Capture[s] the excitement of a Charlie Parker performance, his incandescent swing, the way he took notes to places they’d never been before. . . Takes us as close as we are likely to get to the early years of a genius-in-waiting.” — Toronto Globe and Mail
“[A] meticulous biography of Parker. . . . In Crouch’s passages, he very nearly invents a new language for discussing jazz.” — Popmatters.com
“In Crouch’s hands, the phrase that used to be ubiquitous around New York rings true: Bird lives. I hope I’m not the only one out there who is waiting with bated breath for Crouch’s next volume to see this Bird take flight.” — The Millions
“An instant classic. . . . With a novelist’s sensibility . . . Crouch portrays Parker’s world more vividly than anything I have ever read previously. . . . Parker ‘lives’ in Crouch’s telling.” — Jeff Sultanof, the Journal of Jazz Studies
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The store's inventory of nearly 1000 volumes is currently in the process of being reconstructed after its relocation from Cincinnati, Ohio, to Dallas, Texas. The titles featured here are personally selected by a group of curators and advisors, including Seitz, Carter, and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
“Please. Have mercy. I’ve been wearing the same underwear since Tuesday.”
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; a staff writer for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, and the forthcoming The Wes Anderson Collection: The French Dispatch. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. He is currently working on a memoir about his marriages and a feature-length documentary about his father, jazz musician and composer Dave Zoller.
His hobbies include exotic dancing, moonwalking, and affixing masking tape labels to every food item in the refrigerator, including eggs. He has the attention span of a gnat.