
Created by Matt Zoller Seitz
Directed by Judith Carter
NEW TO STORE:
Mad Men, Sopranos AND
Biography Collections
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever—we just can’t see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times’s coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
“Movie Wars is a cherry bomb in the lap of critical complacency and orthodoxy—and a bold challenge to the movie industry. . . . This brief text is packed with more ideas than any other film book you’re likely to read this year.” —Premiere
“The work of a tough and principled critic whose insights into movies in the age of tie-ins and Disney are as rude and witty as they are sharp, Jonathan Rosenbaum’s Movie Wars is a bracing job of cultural muckraking.” —Tom Carson, the Washington Post
“Jonathan Rosenbaum is the best film critic in the United States—indeed, he’s one of the best writers on film of any kind in the history of the medium.” —James Naremore, author of Acting in the Cinema
“Rosenbaum's journalistic style makes this animated treatise accessible to film buffs who want to know more about how movies get made, while his sound arguments make it a good bet for academic readers as well.” —Publishers Weekly
“Movie Wars is invigorating in the way it argues not only that movies of lasting value are being made all the time, but also that movies can actaully enlarge an audience's comprehensionof the world.” —Vue Weekly
“Essential reading for anyone who cares about movies.” —Martha P. Nochimson, Film Quarterly
Jonathan Rosenbaum is a film critic for the Chicago Reader and is the author of Moving Places, Placing Movies, Movies as Politics, and Dead Man. He is a frequent contributor to Film Comment and Cinéaste. He lives in Chicago.
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The store's inventory of nearly 1000 volumes is currently in the process of being reconstructed after its relocation from Cincinnati, Ohio, to Dallas, Texas. The titles featured here are personally selected by a group of curators and advisors, including Seitz, Carter, and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
“Please. Have mercy. I’ve been wearing the same underwear since Tuesday.”
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; a staff writer for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, and the forthcoming The Wes Anderson Collection: The French Dispatch. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. He is currently working on a memoir about his marriages and a feature-length documentary about his father, jazz musician and composer Dave Zoller.
His hobbies include exotic dancing, moonwalking, and affixing masking tape labels to every food item in the refrigerator, including eggs. He has the attention span of a gnat.