

Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
Photo by Justin Campbell on Unsplash
A sharp and timely exploration of the dark art of manipulation through weaponized storytelling, from the best-selling author of Four Lost Cities. In Stories Are Weapons, bestselling author Annalee Newitz traces the way disinformation, propaganda, and violent threats―the essential tool kit for psychological warfare―have evolved from military weapons deployed against foreign adversaries into tools in domestic culture wars. Newitz delves into America’s deep-rooted history with psychological operations, beginning with Benjamin Franklin’s Revolutionary War–era fake newspaper and nineteenth-century wars on Indigenous nations, and reaching its apotheosis with the Cold War and twenty-first-century influence campaigns online. America’s secret weapon has long been coercive storytelling. And there’s a reason for that: operatives who shaped modern psychological warfare drew on their experiences as science fiction writers and in the advertising industry.
Now, through a weapons-transfer program long unacknowledged, psyops have found their way into the hands of culture warriors, transforming democratic debates into toxic wars over American identity. Newitz zeroes in on conflicts over race and intelligence, school board fights over LGBT students, and campaigns against feminist viewpoints, revealing how, in each case, specific groups of Americans are singled out and treated as enemies of the state. Crucially, Newitz delivers a powerful counternarrative, speaking with the researchers and activists who are outlining a pathway to achieving psychological disarmament and cultural peace.
Incisive and essential, Stories are Weapons reveals how our minds have been turned into blood-soaked battlegrounds―and how we can put down our weapons to build something better.
REVIEWS
"Annalee Newitz’s thoroughly researched and masterfully crafted book gives us something hopeful―a way to disarm the narratives that have been used against us and reclaim better ones."― Ed Yong, Pulitzer Prize-winning author of An Immense World
"A brilliant historical deep-dive into psyops, military covert influence operations, and the corporate attempts to conquer the mind. This will change the way you understand America."―Molly Crabapple, author of Drawing Blood
"Well-researched, accessible, and grounded in history, Stories Are Weapons is at once clarifying, terrifying, and forward-looking. An important contribution to a particular moment in time when so many of us are desperate to try to understand the precarious societal moment and peril in which we find ourselves."― Anna Holmes, author of The Book of Jezebel
ABOUT THE AUTHOR
Annalee Newitz writes fiction and nonfiction about the intersection of science, technology and culture.
Their first novel, Autonomous, won the Lambda Literary Award and was nominated for the Nebula and Locus Awards. Their book Scatter, Adapt, and Remember was nominated for the LA Times Book Award. They are currently a contributing opinion writer at the New York Times. Previously, they were the founding editor of io9, and served as the editor-in-chief of Gizmodo and as the tech culture editor at Ars Technica. They have also written for publications including Wired, Popular Science, the New Yorker, the Atlantic, Slate, Washington Post, Smithsonian Magazine, and more. They have published short stories in Lightspeed, Shimmer, Apex, and Technology Review's Twelve Tomorrows.
Annalee is the co-host of the Hugo Award-winning podcast, Our Opinions Are Correct. They were the recipient of a Knight Science Journalism Fellowship at MIT, worked as a policy analyst at the Electronic Frontier Foundation, and has a Ph.D. in English and American Studies from UC Berkeley. Learn more at AnnaleeNewitz.com or follow them on Twitter @annaleen
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and Directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The titles featured here are personally selected by a group of curators and advisors, including Seitz and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
In Honor of the greatest auteur of our time, Judith is using one of her favorite quotes by him.
"Every day, once a day, give yourself a present"
David Lynch (January 20, 1946-January 15, 2025)
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; Features Writer for New York Magazine and Vulture.com, Contributing Writer for D Magazine and Texas Highways as well as finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets such as Texas Highways and AARP. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestsellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, The Wes Anderson Collection: The French Dispatch and the new The Wes Anderson Collection: Asteroid City. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. In October 2024 he brought the legendary filmmaker Oliver Stone back to Dallas for a historic return to the city and the Texas Theatre, considered the biggest film event of Dallas in 2024 by Dallas Observer!
Judith Carter was in the Upscale and Luxury Hospitality Industry for most of her life. In 2004 she had a beautiful baby boy with Special Needs and put the pause on her career until 2017 to dedicate herself to him and then others, assisting and volunteering as a legal advocate ensuring the best medical care, evaluations and educations for Special Needs children and their families.
Matt and Judith were family friends for over 20 years. She was there with her family in support when his wife Jen passed away suddenly in 2006. Then just 6 weeks later while Matt was in Dallas; he and his Father, Dave, and Step-Mother, Genie, were there as support, when Judith was alone and her son received the first of many diagnoses that changed the trajectory of their lives. So it made sense in the turbulent year of 2020, Matt asked Judith to take over running the online store that has become MZS.press. The rest as they say is, "Their"-story.