Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
HBD LYNCH! In honor of David Lynch's birthday, January 20th!
We're offering 20% off EVERYTHING in the David Lynch collection!
Enter the code LYNCHLOVE at checkout to get your discount!
January 6, 2023 - January 20, 2023 (midnight PST)
A must-have for Star Wars fans—the definitive behind-the-scenes history of the classic film that started it all!
After the 1973 success of American Graffiti, filmmaker George Lucas made the fateful decision to pursue a longtime dream project: a space fantasy movie unlike any ever produced. Lucas envisioned a swashbuckling SF saga inspired by the Flash Gordon serials classic American westerns, the epic cinema of Japanese auteur Akira Kurosawa, and mythological heroes. Its original title: The Star Wars. The rest is history, and how it was made is a story as entertaining and exciting as the movie that has enthralled millions for thirty years–a story that has never been told as it was meant to be. Until now.
Using his unprecedented access to the Lucasfilm Archives and its trove of never-before-published “lost” interviews, photos, production notes, factoids, and anecdotes, Star Wars scholar J. W. Rinzler hurtles readers back in time for a one-of-a-kind behind-the-scenes look at the nearly decade-long quest of George Lucas and his key collaborators to make the “little” movie that became a phenomenon. For the first time, it’s all here:
• the evolution of the now-classic story and characters–including “Annikin Starkiller” and “a huge green-skinned monster with no nose and large gills” named Han Solo
• excerpts from George Lucas’s numerous, ever-morphing script drafts
• the birth of Industrial Light & Magic, the special-effects company that revolutionized Hollywood filmmaking
• the studio-hopping and budget battles that nearly scuttled the entire project
• the director’s early casting saga, which might have led to a film spoken mostly in Japanese–including the intensive auditions that won the cast members their roles and made them legends
• the grueling, nearly catastrophic location shoot in Tunisia and the subsequent breakneck dash at Elstree Studios in London
• the who’s who of young film rebels who pitched in to help–including Francis Ford Coppola, Steven Spielberg, and Brian DePalma
But perhaps most exciting, and rarest of all, are the interviews conducted before and during production and immediately after the release of Star Wars–in which George Lucas, Mark Hamill, Harrison Ford, Carrie Fisher, Sir Alec Guinness, Anthony Daniels, composer John Williams, effects masters Dennis Muren, Richard Edlund, and John Dykstra, Phil Tippett, Rick Baker, legendary production designer John Barry, and a host of others share their fascinating tales from the trenches and candid opinions of the film that would ultimately change their lives.
No matter how you view the spectrum of this thirty-year phenomenon, The Making of Star Wars stands as a crucial document–rich in fascination and revelation–of a genuine cinematic and cultural touchstone.
After living in France for almost ten years, Jonathan Rinzler returned to the United States looking to work in the movie industry, more specifically with LucasFilm. Rinzler, who had been working as a managing editor until that point, was interviewed for a position in the company to work with non-fiction books. He then joined the company in 2001, as the executive editor of LucasBooks, the company's publishing arm.
At the time, the company was producing Episode II: Attack of the Clones, and Rinzler had been hired to produce a series of books about the making of their movies. Rinzler met with Rick McCallum and they talked about how the books should be "about the whole production" instead of focusing only on the special effects. After producing a book on all movies of the trilogy, Rinzler maintained contact with LucasFilm and was commissioned to produce a making-of Indiana Jones in 2008. Despite having left the company in 2016, Rinzler still produced a book about the behind the scenes of the 1968 film Planet of the Apes for Disney in 2018.
In a 2019 interview to The Verge, Rinzler explained his love for making of books came about after watching the Jaws (1975) and acquiring The Jaws Log as well as Industrial Light & Magic: The Art of Special Effects.
In 2019, Rinzler published The Making of Alien, a behind-the-scenes book about the making of the 1979 film Alien with cast and crew interviews and previously-unseen photographs. This was followed by The Making of Aliens, a behind-the-scenes book about the making of the 1986 film Aliens in 2020.
Rinzler also published a novel in 2020 called All Up, about the Space Race, between the United States and Soviet Russia. He spent one year researching for the book, and about seven years writing it sporadically, until its publication.
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The store's inventory of nearly 1000 volumes is currently in the process of being reconstructed after its relocation from Cincinnati, Ohio, to Dallas, Texas. The titles featured here are personally selected by a group of curators and advisors, including Seitz, Carter, and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
“Since MZS is the brains behind the brand and concept, I guess that makes me the brawn. Even though my 'gun show' looks more like a water pistol exhibit in a toy store window...”
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; a staff writer for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets such as Texas Highways and AARP. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, and The Wes Anderson Collection: The French Dispatch. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. He is currently launching a Dallas extension of his MZS Film Series at the historic Texas Theater.
Judith is quoted as saying "his hobbies include exotic dancing, moonwalking, and affixing masking tape labels to every food item in the refrigerator, including eggs. Oh and he has the attention span of a gnat." MZS agreed to it all except the moonwalking.