The Arts Bookstore of the Internet
created by Matt Zoller Seitz
“Outside of a Dog, a book is man's best friend. Inside of a dog it's too dark to read.” ~Groucho Marx
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A must-have for Star Wars fans—the definitive behind-the-scenes history of the classic film that started it all!After the 1973 success of American Graffiti, filmmaker George Lucas made the fateful decision to pursue a longtime dream project: a space fantasy movie unlike any ever produced. Lucas envisioned a swashbuckling SF saga inspired by the Flash Gordon serials classic American westerns, the epic cinema of Japanese auteur Akira Kurosawa, and mythological heroes. Its original title: The Star Wars. The rest is history, and how it was made is a story as entertaining and exciting as the movie that has enthralled millions for thirty years–a story that has never been told as it was meant to be. Until now.Using his unprecedented access to the Lucasfilm Archives and its trove of never-before-published “lost” interviews, photos, production notes, factoids, and anecdotes, Star Wars scholar J. W. Rinzler hurtles readers back in time for a one-of-a-kind behind-the-scenes look at the nearly decade-long quest of George Lucas and his key collaborators to make the “little” movie that became a phenomenon. For the first time, it’s all here:• the evolution of the now-classic story and characters–including “Annikin Starkiller” and “a huge green-skinned monster with no nose and large gills” named Han Solo• excerpts from George Lucas’s numerous, ever-morphing script drafts• the birth of Industrial Light & Magic, the special-effects company that revolutionized Hollywood filmmaking• the studio-hopping and budget battles that nearly scuttled the entire project• the director’s early casting saga, which might have led to a film spoken mostly in Japanese–including the intensive auditions that won the cast members their roles and made them legends• the grueling, nearly catastrophic location shoot in Tunisia and the subsequent breakneck dash at Elstree Studios in London• the who’s who of young film rebels who pitched in to help–including Francis Ford Coppola, Steven Spielberg, and Brian DePalmaBut perhaps most exciting, and rarest of all, are the interviews conducted before and during production and immediately after the release of Star Wars–in which George Lucas, Mark Hamill, Harrison Ford, Carrie Fisher, Sir Alec Guinness, Anthony Daniels, composer John Williams, effects masters Dennis Muren, Richard Edlund, and John Dykstra, Phil Tippett, Rick Baker, legendary production designer John Barry, and a host of others share their fascinating tales from the trenches and candid opinions of the film that would ultimately change their lives.No matter how you view the spectrum of this thirty-year phenomenon, The Making of Star Wars stands as a crucial document–rich in fascination and revelation–of a genuine cinematic and cultural touchstone.
After living in France for almost ten years, Jonathan Rinzler returned to the United States looking to work in the movie industry, more specifically with LucasFilm. Rinzler, who had been working as a managing editor until that point, was interviewed for a position in the company to work with non-fiction books. He then joined the company in 2001, as the executive editor of LucasBooks, the company's publishing arm.
At the time, the company was producing Episode II: Attack of the Clones, and Rinzler had been hired to produce a series of books about the making of their movies. Rinzler met with Rick McCallum and they talked about how the books should be "about the whole production" instead of focusing only on the special effects. After producing a book on all movies of the trilogy, Rinzler maintained contact with LucasFilm and was commissioned to produce a making-of Indiana Jones in 2008. Despite having left the company in 2016, Rinzler still produced a book about the behind the scenes of the 1968 film Planet of the Apes for Disney in 2018.
In a 2019 interview to The Verge, Rinzler explained his love for making of books came about after watching the Jaws (1975) and acquiring The Jaws Log as well as Industrial Light & Magic: The Art of Special Effects.
In 2019, Rinzler published The Making of Alien, a behind-the-scenes book about the making of the 1979 film Alien with cast and crew interviews and previously-unseen photographs. This was followed by The Making of Aliens, a behind-the-scenes book about the making of the 1986 film Aliens in 2020.
Rinzler also published a novel in 2020 called All Up, about the Space Race, between the United States and Soviet Russia. He spent one year researching for the book, and about seven years writing it sporadically, until its publication.
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz. It offers a variety of new, used, signed, collectible, and rare books on film, television, music, photography, and the visual arts. The store was launched in 2019 under the direction of the founder's late wife, Cincinnati-based businesswoman and activist Nancy Dawson, and was originally hosted by Shopify until the platform became corrupt and started destroying independent merchants by freezing their accounts without explanation and making them jump through administrative and legal hoops before shutting them down and taking whatever was left of their money. This same fate was visited upon this store, prompting Seitz and his business partner Judith Carter to relocate here, the better to preserve a hospitable environment for the types of authors they like to champion: independent voices, often published by small presses whose extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The store's inventory of nearly 1000 volumes is currently in the process of being reconstructed after its relocation. The titles featured here are personally selected by a group of curators and advisors, including Seitz, Carter, and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what the author's jazz musician father once called "the good sh*t."
The plot thickens, as they say. Why, by the way? Is it a soup metaphor?
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include The Sopranos Sessions, Mad Men Carousel, and the newly published by MZS Press, The Deadwood Bible: A Lie Agreed Upon. He also wrote the New York Time Best Sellers Mad Men Carousel: The Complete Critical Companion, and TV (The Book). He is currently working on a science fiction puppet movie, a memoir about his two marriages, and an epic non-fiction television series covering 50 years in the life of his extended family.
His hobbies include exotic dancing, moonwalking, and affixing masking tape labels to every food item in the refrigerator, including eggs.
He has the attention span of a gnat.