Created by Matt Zoller Seitz
Directed by Judith Carter
“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
Haruki Murakami
The beloved multimillion-copy-bestselling novel and basis of the Tony Award–winning musical and movie, in a deluxe hardback edition with green stained edges, a ribbon marker, and an elegant foil-stamped cover.
With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination.
Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens.
But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas.
Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.
"An outstanding work of imagination." — USA Today
“I knew that Gregory Maguire had come up with a genius idea the moment I heard about Wicked. It’s a book that has changed a lot of lives, including mine.” — Stephen Schwartz, composer and lyricist of Wicked: The Musical
"Maguire did something truly remarkable with this novel, in managing to inhabit, enlarge, deepen and find new dimensions in a world that had been invented by another writer, and in doing so make something entirely new. It’s an astonishing achievement." — Philip Pullman
“Listen up, Munchkins. Stop your singing, stop the dancing. The Wicked Witch is no longer dead. But not to worry. Gregory Maguire’s shrewdly imagined and beautifully written first novel, Wicked: The Life and Times of the Wicked Witch of the West, not only revives her but re-envisions and redeems her for our times.” — Newsday
“At the heart of this remarkable, unforgettable novel is a wildly original premise—one that only a writer with Gregory Maguire’s intellect and daring could have dreamed up: that the Wicked Witch of the West was a real woman, with an actual name, and her own story to tell. It was radical when Gregory first wrote it, and remains radical. It has the power to reshape one’s view of the world.” — Winnie Holzman, co-writer of Wicked: The Musical
"Gregory gets the complications and uniqueness of women very well." — Kristen Chenoweth
“Long before there was any thought of a musical, I read Wicked. I felt a quiet joy that sisterhood had made its way to the Yellow Brick Road. What happens when a witch, green or otherwise, gets to tell her own story instead of being vilified and misrepresented by dominant cultural authority? We witches know how that turns out!” — Holly Near
Gregory Maguire is the New York Times bestselling author of the Wicked Years, a series that includes Wicked—the beloved classic that is the basis for the blockbuster Tony Award–winning Broadway musical of the same name and the major motion picture—Son of a Witch, A Lion Among Men, and Out of Oz. His series Another Day continues the story of Oz with The Brides of Maracoor, The Oracle of Maracoor, and The Witch of Maracoor, and his other novels include A Wild Winter Swan, Hiddensee, After Alice, Confessions of an Ugly Stepsister, Lost, and Mirror Mirror. Some of his novels for children include Cress Watercress, Leaping Beauty, and Egg & Spoon, winner of a Boston Globe–Horn Book Award Honor. He lives in New England and France.
All copies are NEW.
Ships 12/10 - 12/23/24.
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz and directed by Judith Carter. It offers new, used, signed, collectible, and rare books on film, TV, music, photography, and the visual arts. The store was launched in 2019 on a different platform and has expanded to incorporate arts books published by MZSPress's private imprint: titles currently include Seitz's The Deadwood Bible: A Lie Agreed Upon and Dreams of Deadwood, about the HBO Western, and Walter Chaw's A Walter Hill Film.
Our deepest wish is to promote, encourage, and distribute work by small presses, academic presses, and individuals. Extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The store's inventory of nearly 1000 volumes is currently in the process of being reconstructed after its relocation from Cincinnati, Ohio, to Dallas, Texas. The titles featured here are personally selected by a group of curators and advisors, including Seitz, Carter, and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what Seitz's jazz musician dad liked to call "the good sh*t."
"I feel comfortable using legal jargon in everyday life... I object!" Alicia Silverstone as Cher Horowitz in Legally Blonde, 2001
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large and film critic of RogerEbert.com; Features Writer for New York Magazine and Vulture.com, Contributing Writer for D Magazine and Texas Highways as well as finalist for the Pulitzer Prize in criticism. His writing on film and TV has appeared in Sight and Sound, The New York Times, Salon.com, The New Republic and Rolling Stone. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets such as Texas Highways and AARP. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include the New York Times bestsellers The Sopranos Sessions and Mad Men Carousel; TV (The Book), The Deadwood Bible: A Lie Agreed Upon, and The Wes Anderson Collection: The French Dispatch. He is also an interviewer, moderator, and film programmer who has curated and hosted film and TV presentations for the Museum of the Moving Image, IFC Center, San Francisco's Roxie Cinema, and other venues. He has launched a Dallas extension of his MZS Film Series at the historic Texas Theater. On October 3-6, 2024 he brought the legendary filmmaker Oliver Stone back to Dallas for a historic return to the city and the Texas Theatre!
Judith is quoted as saying "his hobbies include exotic dancing, moonwalking, and affixing masking tape labels to every food item in the refrigerator, including eggs. Oh and he has the attention span of a gnat." MZS agreed to it all except the moonwalking.