The Arts Bookstore of the Internet
created by Matt Zoller Seitz
“Outside of a Dog, a book is man's best friend. Inside of a dog it's too dark to read.” ~Groucho Marx
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From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented―notably the slasher movie's "final girls"―as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers.
Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid readership from students of film theory to major Hollywood filmmakers.
"Clover makes a convincing case for studying the pulp-pop excesses of ‘exploitation' horror as a reflection of our psychic times."---Misha Berson, San Francisco Chronicle"Fascinating, Clover has shown how the allegedly naïve makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels" ― The Modern Review"Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture. . . . She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity."---Andrea Walsh, The Boston Globe"Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen."---Wendy Lesser, Washington Post"Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy."---Desmond Ryan, Philadelphia Inquirer"In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing."---Ramona Naddaff, Artforum"[A] brilliant analysis of gender and its disturbances in modern horror films. . . . Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. . . . [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look."---Linda Ruth Williams, Sight and Sound
MZS.Press is the online arts bookstore founded by author, critic, and filmmaker Matt Zoller Seitz. It offers a variety of new, used, signed, collectible, and rare books on film, television, music, photography, and the visual arts. The store was launched in 2019 under the direction of the founder's late wife, Cincinnati-based businesswoman and activist Nancy Dawson, and was originally hosted by Shopify until the platform became corrupt and started destroying independent merchants by freezing their accounts without explanation and making them jump through administrative and legal hoops before shutting them down and taking whatever was left of their money. This same fate was visited upon this store, prompting Seitz and his business partner Judith Carter to relocate here, the better to preserve a hospitable environment for the types of authors they like to champion: independent voices, often published by small presses whose extraordinary work tends to get swallowed up on giant platforms like Amazon and Barnes & Noble. The store's inventory of nearly 1000 volumes is currently in the process of being reconstructed after its relocation. The titles featured here are personally selected by a group of curators and advisors, including Seitz, Carter, and an array of critics, artists, journalists, educators, publishers, and arts mavens who are known for their ability to suss out what the author's jazz musician father once called "the good sh*t."
The plot thickens, as they say. Why, by the way? Is it a soup metaphor?
Matt Zoller Seitz
Critic, Author, Filmmaker, MZS Press Creator
Matt Zoller Seitz is the Editor at Large of RogerEbert.com. He is also the TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism. His writing on film and television has appeared in The New York Times, Salon.com, The New Republic and Sight and Sound. Seitz is the founder and original editor of the influential film blog The House Next Door, now a part of Slant Magazine, and the co-founder and original editor of Press Play, an IndieWire blog of film and TV criticism and video essays.
Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image, Salon.com and Vulture, among other outlets. His five-part 2009 video essay Wes Anderson: The Substance of Style was spun off into the hardcover book The Wes Anderson Collection. This book and its follow-up, The Wes Anderson Collection: Grand Budapest Hotel were New York Times bestsellers.
Other Seitz books include The Sopranos Sessions, Mad Men Carousel, and the newly published by MZS Press, The Deadwood Bible: A Lie Agreed Upon. He also wrote the New York Time Best Sellers Mad Men Carousel: The Complete Critical Companion, and TV (The Book). He is currently working on a science fiction puppet movie, a memoir about his two marriages, and an epic non-fiction television series covering 50 years in the life of his extended family.
His hobbies include exotic dancing, moonwalking, and affixing masking tape labels to every food item in the refrigerator, including eggs.
He has the attention span of a gnat.